Workslist
new work (2026)
for septet, live video and live electronics
duration: 20'00''
Commissioned by EMPAC and Switch~ Ensemble
new work (2025)
for large ensemble and electronics
duration: 20'00''
Commissioned by Ensemble Dal Niente and the Library of Congress's Serge Koussevitzky Music Foundation
new work (2025)
for large ensemble and video
duration: 20'00''
Commissioned by TIME:SPANS and Talea Ensemble
nossas mãos (2024)
for piano, violin, cello, and video
duration: 30'00''
Commissioned by Longleash and Chamber Music America
flautando (2024)
for violin and flute
duration: 7'00''
Commissioned by Longleash and Chamber Music America
carve (2023, revised 2024)
for piano and percussion
duration: 8'00''
Commissioned by the Flannau Duo (Kyle Flens and Jonathan Hannau)
scene I (2022)
for solo piano
duration: 2'00''
Commissioned by Shi-An Costello
living to fall [music and rain] (2022)
- Water Triptych Part III -
for piano, keyboard, and two percussionists and video
duration: 17''
Commissioned by the Earle Brown Music Foundation, for Yarn/Wire
offering [music and the ocean] (2022)
- Water Triptych Part II -
for piano and video
duration: 14''
American Academy in Rome residency project
n.b. (variation on the name Nadia Boulanger) (2022)
for violin and cello
duration: 1'30''
Written for the 100th anniversary of Fontainebleau School of Music and Fine Arts
body_no_thing [music and fountains] (2022)
- Water Triptych Part I -
for piano and video
duration: 15''
American Academy in Rome residency project
available stops (2021)
for viola and cello
duration: 6''
Commissioned by the Quijote Duo, for the 2021 Ear Taxi Festival
cabinet of curiosities (2021)
for sampler and chamber ensemble (fl, cl, bsn, hn, perc, keyb., vln, vla, vc)
duration: 10''
Written for the 2021 Composers Conference Ensemble
kai (2021)
for solo Eb clarinet
duration: 5''
Written for Kaichi Hirayama and the Composers Conference 2021
confined. speak. (2020)
for violin and piano
duration: 12''’
Commissioned by The Library of Congress McKim Fund, for Ensemble Dal Niente
expulsure (2020)
for solo flute
duration: 6'
Commissioned by the 2020 Composers Conferece, and written for Octavian Moldovean
portrait IO (2020)
for 18 musicians
duration: 16'
Commissioned by Ensemble Modern
Summon, and Back Against the Wall (2020)
two large ensemble arrangements of JLIN's work
duration: 4' & 5', respectively
Commissioned by Alarm Will Sound
clonewheels (2020)
for sextet (fl, cl, perc, pno, vln, vc)
duration: 8'
Commissioned by Riot Ensemble
weaving (2019)
acousmatic work (two-channel playback)
Commissioned by playwright Emilio Emanuel Williams as part of a lecture-performance held at The Art Institute of Chicago, Dec. 2019.
as light becomes form (2019)
for violin and piano
duration: 18'
Commissioned by the Fromm Music Foundation, for Duo Diorama
sounding petals (2019)
for violin, cello, and piano
duration: 6'
Commissioned by the Copland House.
anima (2019)
for harp and percussion
duration: 13'
Commissioned by DCASE; written for Ben Melsky and Kyle Flens.
(ghosts) behind articulation (2018)
piano solo
duration: 12'
Commissioned by Amici per la Musica—Luigi Nono International Competition, for Yu-Ting Mabel Huang.
harmonia in the lyre (2018)
acousmatic work (two-channel playback)
duration: 2'00''
Written in memory of Allan Schindler.
the voice carves its line (2018)
acousmatic work (four-channel playback)
duration: 3'52''
Commissioned by the International Symposium of New Music, for the microFOLIA CD release.
through thoughts of a different kind (2018)
for 16 musicians.
duration: 8'
Commissioned by the Mizzou International Composers Festival, for Alarm Will Sound.
suggested affinities (2018)
concerto for piano and synthesizer, with chamber ensemble of 13 players
duration: 20'
Spring 2018. Dissertation work – Ensemble Dal Niente, University of Chicago.
between spaces (2017)
solo vibraphone, spatialized percussion ensemble, and electronics
duration: 15'
Commissioned by the Logan Center for the Arts (5th anniversary celebration), for John Corkill, and University of Chicago Percussion Ensemble.
speak through speaking (2017)
saxophone (alto), accordion (bayan) and contrabass
duration: 8'
Written for POING, Time of Music Festival, Viitasaari, Finland
murmurations II (2017)
wind quintet
duration: 6'
03/30/2017, premiered by Imani Winds, University of Chicago
étude n° 4, and 5 (2016)
piano and synthesizer
duration: 3' and 5'
Ear Taxi Festival, Chicago Cultural Center
lamento (2015-16)
six musicians (fl, cl, vln, vc, pno, perc) + electronics
duration: 10'
Commissioned by the Valencia International Performance Academy (2016), for the [Switch~ Ensemble]
parlando (2016)
duo for vibraphone and synthesizer
duration: 11'
Commissioned by Christopher Clarino, and performed at the UCSD Springfest 16.
murmurations I [epigone] (2016)
cello and accordion.
duration: 12'
Commissioned by Maciej Frąckiewicz
(to possess) other ears (2015)
three percussionists, iPhones and bluetooth speakers
duration: indeterminate
commissioned by Beyond This Point Percussion Ensemble, and performed on the Chicago CTA.
leaf II, for Shulamit Ran (2015)
solo piano.
duration: 2'
For the Album Leaf concert, celebrating the retirement of Shulamit Ran. Performed by Amy Briggs.
two two (2015)
octet (fl, ob, cl, perc, pno, vla, vc, cb).
duration: 8'
Written for Ensemble Intercontemporain.
étude n° 1, 2, and 3 (2015)
piano and synthesizer (single pianist)
Duration: 12
For Winston Choi.
dissolution (2014)
soprano, flute and piano.
duration: 4'
Written for the Ritsos Project.
ploy, pivot (2014)
chamber orchestra (32 players)
duration: 6'
quiet rooms (2014)
septet (fl, cl, vln, vc, pno, perc).
duration: 10'
Written for Eighth Blackbird.
memory, memorialization – o urubú e o gavião (2013)
duo for violin and viola.
duration: 9'
Written for Austin Wulliman and Doyle Armbrust from the Spektral Quartet.
centripetal paths (2012)
duo for alto flute and Bb clarinet
duration: 7'
For Cory Tiffin and Emma Gerstein
… of cities and eyes (2012)
sextet (fl, cl, vln, vc, pno, perc)
duration: 6'
Commissioned by the turnEnsemble
reverie (2012)
for orchestra.
duration: 5'
Premiered at the Brevard Music Center
…of which of a wind (2012)
flute, viola, and harp
duration: 7'
Performed at the Brevard Music Center
Two Inventions (2012)
for nine instruments (fl, ob, cl, vln, vla, vc, pno, hp, perc)
duration: 9'
Commissioned by Ossia New Music, Eastman School of Music
of cities and memory (2011)
for sinfonietta ensemble (16 players).
duration: 10'
11/21/2011, performed by the Eastman Composers' Sinfonietta, Eastman School of Music
Two memory pieces (2011)
piano and live electronics
duration: 7;
04/2011, performed by Igor Santos at the Eastman School of Music Computer Music concert
Nocturne (2011)
piano quintet.
duration: 5'
07/2011, performed at The American Art Schools of Fontainebleau
Moppet (2010)
concertino for solo piano and percussion ensemble.
duration: 8'
Commissioned and performed by the University of South Florida Percussion Ensemble
Three etudes (2010)
orchestra, piano obbligato, and electronic playback
duration: 9'
Performed by the University of South Florida Symphony Orchestra
Electronic Essay #14 (2009)
violin and electronic playback
duration: 6'
Commissioned by Amanda Raber and performed at the University of Massachusetts, Amherst
Réveil des Graines (2009)
solo piano and orchestra
duration: 15'
Eta Carinae (2009)
orchestra.
duration: 7'
Performance with The Florida Orchestra
Two Poems by Manuel Bandeira (2008)
soprano and piano.
duration: 8'
For Mariette Morel-Wilson and Allan Armstrong